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ABOUT ME

From Bygone Times to Future Days

The starting point of my saga was my expulsion from our Art School, the reason given being my "avangardism". The sensation of freedom and independence filled my whole being. It also happened that just at the same time an opportunity of my participation in joined exhibitions of other fellow - dissidents presented itself. And that was how I found myself a member of the Crimean Fellowship. I displayed twelve of my monotypes. That exhibition was unusual because a lot of artists took part in it and some of the paintings had to be hung right on the ceiling. That was the year of 1985. The beginning.

1991 was the year of discovering the World. I had a feeling that all the doors locked tight for so many years suddenly flew widely open. New wind came, life was changing rapidly. Art or rather attitude towards it was keeping up with the changes. In my turn I had to meet the World, to leave the seclusion of my small back yard and come to the streets. That year I organized my exhibition in Heidelberg. The sister-city relationship between our cities had not yet been formed. Everything was very serious: a TV crew was making a picture, serious newspapers wrote about the exhibition, the Mayor of the city made a speech at the opening ceremony. I presented her (the city had a lady-mayor at that time) with one of my pictures - with two people in a desert stretching their hands to each other. Later I learned that it was because the Mayor had a painting from a Simferopol artists that our city was chosen to become a Ukrainian sister-city of Heidelberg. So says the legend.

The year of 1994 was a period of wandering. A group of Crimean Artists left their native land and sailed on a yacht towards Italian shores making a new path for Crimean Art in the World ahead. We came as far as Rome where we stayed in a very symbolic place - Amabelik-Lazareva villa - a former summer residence of All-Russia Academy of Arts. This place was visited by many famous Russian artists before the October coup in Russia. Later we learned that the great Russian producer Andrey Tarkovsky also lived here once. For me this voyage was very memorable because a few of my works joined the collection in Vatican.

I have a tradition many years old - every person visiting my studio is presented with one of my paintings. Even if such person comes to me by chance or by mistake and sees pictures he likes he always gets one of them as a gift. Nowadays some other people follow this tradition and this is very pleasing to me. Because of this my works are spreading all over the World and it is very fruitful. Prior to my exhibition in Heidelberg I gave away as gifts over thirty of my pictures to its citizens who were interested in them. A couple of years later people saw posters about my exhibition in the streets of Heidelberg and came to see it with great interest. And many of my works were bought because they already had some pictures as gifts.

The Crimea is a very powerful image with a special type of energy, with a unique and distinctive alloy of European and Asian cultures of many centuries. I know artists who live in different countries of the World coming here to partake of this energy. But in a broader sense the Crimea is not yet known by the World. Only few people know about it from this angle. I feel that creative history of the Crimea is coming to a new stage. My Gallery brings together the dream of Crimean artists, its style being determined by their works. For me creating my Gallery the way I see it is also means of expressing myself. Not only Crimean Artists will be able to exhibit their works there. It's open for masters from all over the World. Their paintings being in accord with the spirit of the Gallery is the main criteria for admittance. They also have to be originals examples of Modern Art of the Earth.

I cherish a hope of another of my dreams coming true in the future - starting a Museum of Modern Art. Organizing it in one of the Crimean places unique as to its beauty in a way that one can come there to work, to spend some period of time there, to exchange his thoughts and opinions with fellow-artists. Let artists and other masters come there to be filled with the energy of this place, to find new images and themes.

History hasn't come to its end yet. It's still going on. And it is very important to move on as well…

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